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                                            <image:caption>Kelela, a raver reborn. Photography by Elinor Kry</image:caption>
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                                            <image:caption>Kelela, a raver reborn. Photography by Elinor Kry</image:caption>
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                                            <image:caption>unknown</image:caption>
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                                            <image:caption>Kelela, a raver reborn. Photography by Elinor Kry</image:caption>
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                                            <image:caption>unknown</image:caption>
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                                            <image:caption>The art of Shaina McCoy (@wallflowermccoy)</image:caption>
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                                            <image:caption>Photographed by Pedro Moura Diniz</image:caption>
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                                            <image:caption>Upile Chisala photographed by Maxim Vakhovskiy</image:caption>
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                                            <image:caption>Inside Issue 5: the power of tears according to Clara Giaminardi</image:caption>
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                                            <image:caption>Film: Robotica</image:caption>
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                                            <image:caption>Like Father, Like Son — Accra, 2022 (© Carlos Idun-Tawiah, Sunday Special, 2022)</image:caption>
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                                            <image:caption>Photographed by Pedro Moura Diniz</image:caption>
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                                            <image:caption>Church: Jesus Image</image:caption>
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                                            <image:caption>Photographed by Sarah Blais For editorial and commercial inquiries please contact chris@chrisboalsartists.com</image:caption>
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                                            <image:caption>Waves - 2019 Director - Trey Edward Shults DP - Drew Daniels @drewalandaniels Colorist - Damien Vandercruyssen @damienvdc</image:caption>
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                                            <image:caption>Genre: Drama, Romance Director: Celine Song Cinematographer: Shabier Kirchner Production Designer: Grace Yun Costume Designer: Katina Danabassis Editor: Keith Fraase Colorist: Tom Poole Shot Time: 00:01:16 Time Period: 2020s Color: Warm, Saturated, Yellow Aspect Ratio: 1.85 - Spherical Format: Film - 35mm Frame Size: Medium Wide Shot Type: Group shot Lens Size: Wide Composition: Balanced Lighting: Hard light, High contrast, Top light Lighting Type: Artificial light, Practical light Time of Day: Night Interior/Exterior: Interior Location Type: Location Set: Restaurant Story Location: ... United States of America &amp;#x3E; New York Filming Location: ... New York &amp;#x3E; New York City Camera: Panavision Panaflex Lens: Panavision Ultra Speed II (PVintage)</image:caption>
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                                            <image:caption>Maurice Tillet: The man widely rumored to be the inspiration for the character Shrek, though this claim is unverified. Photographed by Irving Penn.</image:caption>
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                                            <image:caption>Mr. and Mrs. Smith (2024)</image:caption>
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                                            <image:caption>Michelle Thomas and Malcom Jamal Warner photographed by unknown</image:caption>
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                                            <image:caption>LOEWE blazer, layered shirts, and trousers. Photographed by Silvia Draz for the October 2024 Issue of Vogue Man Philippines</image:caption>
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                                            <image:caption>Genre: Thriller, Comedy, Drama Director: Bong Joon-ho Cinematographer: Hong Kyung-pyo Production Designer: Lee Ha-jun Costume Designer: Choi Se-yeon Editor: Yang Jin-mo Colorist: Kevin Kang Actors: Song Kang-ho, Choi Woo-shik, Park So-dam, Chang Hyae-jin Shot Time: 00:56:40 Time Period: 2010s Aspect Ratio: 2.39 - Spherical Format: Digital Frame Size: Wide Shot Type: Establishing shot Lens Size: Wide Composition: Center Lighting: Soft light, Low contrast Lighting Type: Daylight, Overcast, Artificial light, Mixed light Time of Day: Day Interior/Exterior: Exterior Location Type: Location Set: House &amp;#x3E; Backyard Story Location: ... Seoul Capital Area &amp;#x3E; Seoul Filming Location: ... Asia &amp;#x3E; South Korea Camera: ARRI ALEXA 65 Lens: Arri Prime DNA Lenses Film Stock / Resolution: ARRIRAW (6.5K)</image:caption>
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                                            <image:caption>The creative work of @azusa_matsumori⁠</image:caption>
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                                            <image:caption>Rubee Samuel Joyous photographs from a Lagos school</image:caption>
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                                            <image:caption>Genre: Comedy, Drama Director: Janicza Bravo Cinematographer: Andrew Wehde Production Designer: Merje Veski Costume Designer: Courtney Wheeler Editor: Megan Mancini, Joanna Naugle Colorist: Mishel Hassidim Actors: Ayo Edebiri Time Period: 2020s Color: Green, White Aspect Ratio: 1.85 Frame Size: Medium Close Up Shot Type: Clean single Lens Size: Medium Composition: Center Lighting: Soft light, Low contrast, Backlight, Edge light Lighting Type: Daylight Time of Day: Day Interior/Exterior: Interior Location Type: Stage Set: House &amp;#x3E; Living Room Story Location: ... Illinois &amp;#x3E; Chicago Filming Location: ... Illinois &amp;#x3E; Chicago Camera: ARRI ALEXA Mini LF Lens: Panavision H series</image:caption>
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                                            <image:caption>Photographed by Jono Terry</image:caption>
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                                            <image:caption>Lotomau Fiafia was born in 1952 on Kioa island, a remote island in Fiji. He told us the sea has been continually rising since the 90s. Lotomau is deeply worried that his concerns will not be heard by the outside world about his community directly affected by rising sea levels. I promised to pass on his message through images&amp;#x22; - Eddie Jim (photographer for The Age/Sydney Morning Herald)</image:caption>
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                                            <image:caption>Iga Drobisz Location: Berlin, Germany</image:caption>
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                                            <image:caption>Noémi Ottilia Szabo</image:caption>
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                                            <image:caption>unknown</image:caption>
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                                            <image:caption>Jono Terry How one photographer interrogates Zimbabwe’s colonialist past</image:caption>
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                                            <image:caption>Self-portrait by Maya Golyshkina</image:caption>
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                                            <image:caption>Kelela, a raver reborn. Photography by Elinor Kry</image:caption>
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                                            <image:caption>Kelela, a raver reborn. Photography by Elinor Kry</image:caption>
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                                            <image:caption>Photographed by Pedro Moura Diniz</image:caption>
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                                            <image:caption>Like Father, Like Son — Accra, 2022 (© Carlos Idun-Tawiah, Sunday Special, 2022)</image:caption>
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                                            <image:caption>Genre: Thriller, Comedy, Drama
Director: Bong Joon-ho
Cinematographer: Hong Kyung-pyo
Production Designer: Lee Ha-jun
Costume Designer: Choi Se-yeon
Editor: Yang Jin-mo
Colorist: Kevin Kang
Actors: Song Kang-ho, Choi Woo-shik, Park So-dam, Chang Hyae-jin
Shot Time: 00:56:40
Time Period: 2010s
Aspect Ratio: 2.39 - Spherical
Format: Digital
Frame Size: Wide
Shot Type: Establishing shot
Lens Size: Wide
Composition: Center
Lighting: Soft light, Low contrast
Lighting Type: Daylight, Overcast, Artificial light, Mixed light
Time of Day: Day
Interior/Exterior: Exterior
Location Type: Location
Set: House &amp;#x3E; Backyard
Story Location: ... Seoul Capital Area &amp;#x3E; Seoul
Filming Location: ... Asia &amp;#x3E; South Korea
Camera: ARRI ALEXA 65
Lens: Arri Prime DNA Lenses
Film Stock / Resolution: ARRIRAW (6.5K)</image:caption>
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                                            <image:caption>unknown</image:caption>
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                                            <image:caption>Upile Chisala photographed by Maxim Vakhovskiy</image:caption>
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                                            <image:caption>The art of Shaina McCoy (@wallflowermccoy)</image:caption>
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                                            <image:caption>Kelela, a raver reborn. Photography by Elinor Kry</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/T2489444998097065917301764394365/_-51.jpeg</image:loc>
                                            <image:caption>unknown</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/O2489444998152406149522893049213/_17.jpg</image:loc>
                                            <image:caption>LOEWE blazer, layered shirts, and trousers. Photographed by Silvia Draz for the October 2024 Issue of Vogue Man Philippines</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/I2489444998263086613965150358909/Screenshot-2025-07-30-at-1.50.46PM.png</image:loc>
                                            <image:caption>Self-portrait by Maya Golyshkina</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/H2489444998502894286923374529917/small_4FCOVSTB.jpg</image:loc>
                                            <image:caption>Waves - 2019
Director - Trey Edward Shults
DP - Drew Daniels @drewalandaniels
Colorist - Damien Vandercruyssen @damienvdc
</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/D2489444998226193125817731255677/i-D-3.jpeg</image:loc>
                                            <image:caption>Inside Issue 5: the power of tears according to Clara Giaminardi</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/I2489444998318426846186279013757/Screenshot-2025-07-30-at-11.48.44AM.png</image:loc>
                                            <image:caption>Lotomau Fiafia was born in 1952 on Kioa island, a remote island in Fiji. He told us the sea has been continually rising since the 90s. Lotomau is deeply worried that his concerns will not be heard by the outside world about his community directly affected by rising sea levels. I promised to pass on his message through images&amp;#x22; - Eddie Jim (photographer for The Age/Sydney Morning Herald)</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/N2489444998207746381744021704061/DSC04686.jpg</image:loc>
                                            <image:caption>Photographed by Pedro Moura Diniz</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/D2489444998410660566554826771837/Screenshot-2025-08-05-at-1.10.43PM.png</image:loc>
                                            <image:caption>Genre: Comedy, Drama
Director: Janicza Bravo
Cinematographer: Andrew Wehde
Production Designer: Merje Veski
Costume Designer: Courtney Wheeler
Editor: Megan Mancini, Joanna Naugle
Colorist: Mishel Hassidim
Actors: Ayo Edebiri
Time Period: 2020s
Color: Green, White
Aspect Ratio: 1.85
Frame Size: Medium Close Up
Shot Type: Clean single
Lens Size: Medium
Composition: Center
Lighting: Soft light, Low contrast, Backlight, Edge light
Lighting Type: Daylight
Time of Day: Day
Interior/Exterior: Interior
Location Type: Stage
Set: House &amp;#x3E; Living Room
Story Location: ... Illinois &amp;#x3E; Chicago
Filming Location: ... Illinois &amp;#x3E; Chicago
Camera: ARRI ALEXA Mini LF
Lens: Panavision H series</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/C2489444998484447542849664978301/Screenshot-2025-08-05-at-12.50.44PM.png</image:loc>
                                            <image:caption>Noémi Ottilia Szabo</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/P2489444998299980102112569462141/Screenshot-2025-07-30-at-11.46.56AM.png</image:loc>
                                            <image:caption>unknown</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/O2489444998558234519144503184765/small_VZ2273UY.jpg</image:loc>
                                            <image:caption>Mr. and Mrs. Smith (2024)</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/U2489444998447554054702245875069/Screenshot-2025-08-05-at-12.28.50PM.png</image:loc>
                                            <image:caption>Photographed by Sarah Blais For editorial and commercial inquiries
please contact chris@chrisboalsartists.com</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/M2489444998244639869891440807293/Screenshot-2025-07-30-at-1.21.23PM.png</image:loc>
                                            <image:caption>Film: Robotica</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/D2489444998336873590259988565373/Screenshot-2025-07-30-at-11.53.52AM.png</image:loc>
                                            <image:caption>Rubee Samuel
Joyous photographs from a Lagos school</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/Q2489444998539787775070793633149/small_KF42WHYW.jpg</image:loc>
                                            <image:caption>Genre: Drama, Romance
Director: Celine Song
Cinematographer: Shabier Kirchner
Production Designer: Grace Yun
Costume Designer: Katina Danabassis
Editor: Keith Fraase
Colorist: Tom Poole
Shot Time: 00:01:16
Time Period: 2020s
Color: Warm, Saturated, Yellow
Aspect Ratio: 1.85 - Spherical
Format: Film - 35mm
Frame Size: Medium Wide
Shot Type: Group shot
Lens Size: Wide
Composition: Balanced
Lighting: Hard light, High contrast, Top light
Lighting Type: Artificial light, Practical light
Time of Day: Night
Interior/Exterior: Interior
Location Type: Location
Set: Restaurant
Story Location: ... United States of America &amp;#x3E; New York
Filming Location: ... New York &amp;#x3E; New York City
Camera: Panavision Panaflex
Lens: Panavision Ultra Speed II (PVintage)</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/W2489444998392213822481117220221/Screenshot-2025-07-30-at-12.51.24PM.png</image:loc>
                                            <image:caption>Michelle Thomas and Malcom Jamal Warner photographed by unknown</image:caption>
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                                            <image:caption>The creative work of @azusa_matsumori⁠</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/E2489444998355320334333698116989/Screenshot-2025-07-30-at-12.28.04PM.png</image:loc>
                                            <image:caption>Photographed by Jono Terry</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/L2489444998281533358038859910525/Screenshot-2025-07-30-at-11.33.40AM.png</image:loc>
                                            <image:caption>Church: Jesus Image</image:caption>
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                                            <image:caption>Iga Drobisz
Location: Berlin, Germany</image:caption>
                                    </image:image>
            
                
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                    <image:loc>https://freight.cargo.site/t/original/i/U2489444998373767078407407668605/Screenshot-2025-07-30-at-12.31.52PM.png</image:loc>
                                            <image:caption>Jono Terry
How one photographer interrogates Zimbabwe’s colonialist past</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/H2489454574244636437699037498749/Dorian-Leigh-Maurice-Tillet-by-Irving-Penn-1945.png</image:loc>
                                            <image:caption>Maurice Tillet: The man widely rumored to be the inspiration for the character Shrek, though this claim is unverified. Photographed by Irving Penn.</image:caption>
                                    </image:image>
            
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